This paper examines the function of the libretto in Verdi's operas and its relations with the musical text. After a general introduction of the relationship between literary and musical form in opera, the evolution of this relationship is illustrated considering four operas from different periods, on libretto by different poets: "Luisa Miller" (1849), "La traviata" (1853), "Aida" (1871), "Falstaff" (1893). Each libretto is examined from four perspectives: genesis, dramatic structure, metric structures, literary style.

New currents in the libretto

DELLA SETA, FABRIZIO EMANUELE
2004-01-01

Abstract

This paper examines the function of the libretto in Verdi's operas and its relations with the musical text. After a general introduction of the relationship between literary and musical form in opera, the evolution of this relationship is illustrated considering four operas from different periods, on libretto by different poets: "Luisa Miller" (1849), "La traviata" (1853), "Aida" (1871), "Falstaff" (1893). Each libretto is examined from four perspectives: genesis, dramatic structure, metric structures, literary style.
2004
9780521632287
File in questo prodotto:
Non ci sono file associati a questo prodotto.

I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11571/20613
Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus ND
  • ???jsp.display-item.citation.isi??? ND
social impact