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EnglishThe critical edition of I Puritani, published in 2013, provides an opportunity for some reflections on the nature of the operatic score compared with that of the literary text. Unlike the latter, the written dramatic-musical text does not coincide with the artwork; rather, it is the premise to the creation of a complex event, the theatrical performance. Bellini’s opera excellently exemplifies the point: the author’s thought is transmitted by multiple sources, each of which contains variants that are not in conflict with each other; they embody a compositional thought that contains within itself the flexibility of the performance. A case in point is offered by metronome markings: Bellini wrote up to four different indications for the same passage in different manuscripts. None of these should be considered to represent the author’s final idea; rather, they delimit the spectrum of options within which the interpreter is called to choose.
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| Titolo: | L'edizione critica dei "Puritani" di Vincenzo Bellini: alcuni aspetti di metodo | |
| Autori: | ||
| Data di pubblicazione: | 2016 | |
| Rivista: | ||
| Abstract: | The critical edition of I Puritani, published in 2013, provides an opportunity for some reflections on the nature of the operatic score compared with that of the literary text. Unlike the latter, the written dramatic-musical text does not coincide with the artwork; rather, it is the premise to the creation of a complex event, the theatrical performance. Bellini’s opera excellently exemplifies the point: the author’s thought is transmitted by multiple sources, each of which contains variants that are not in conflict with each other; they embody a compositional thought that contains within itself the flexibility of the performance. A case in point is offered by metronome markings: Bellini wrote up to four different indications for the same passage in different manuscripts. None of these should be considered to represent the author’s final idea; rather, they delimit the spectrum of options within which the interpreter is called to choose. | |
| Handle: | http://hdl.handle.net/11571/1123022 | |
| Appare nelle tipologie: | 1.1 Articolo in rivista |
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