In order to explore forms of Aesthetics in periods before its history, one intends to investigate the aesthetic aspects of the forms maker by focusing on the Bonaventure’s Franciscan thought, which represents a decisive turning point in the diachronic sense of poiesis. A thought that perhaps contributes to both the artistic innovations introduced by Giotto and the Renaissance turn in the concept of the maker observed here in authors such as Leon Battista Alberti and Leonardo da Vinci.
L'artefice delle forme. Un percorso morfologico fra Bonaventura, Alberti e Leonardo da Vinci
Salvestrini
2021-01-01
Abstract
In order to explore forms of Aesthetics in periods before its history, one intends to investigate the aesthetic aspects of the forms maker by focusing on the Bonaventure’s Franciscan thought, which represents a decisive turning point in the diachronic sense of poiesis. A thought that perhaps contributes to both the artistic innovations introduced by Giotto and the Renaissance turn in the concept of the maker observed here in authors such as Leon Battista Alberti and Leonardo da Vinci.File in questo prodotto:
Non ci sono file associati a questo prodotto.
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
