The article explores the graphic works of Giancarlo Consonni, focusing on two of his recent publications: Incantamenti 1991-1998and Apparenze e graffiti 1982-2001.It examines how Consonni’s works capture the viewer’s imagination through their delicate interplay of forms and colors, encouraging a phenomenological engagement with the artwork. The article draws connections between Consonni’s approach and philosophical concepts from Jean-Luc Marion and Ludwig Wittgenstein, emphasizing the transformative power of art to awaken a sense of wonder and meaning.

Incantamenti e risveglio. Opere grafiche di Giancarlo Consonni

Borutti S.
2024-01-01

Abstract

The article explores the graphic works of Giancarlo Consonni, focusing on two of his recent publications: Incantamenti 1991-1998and Apparenze e graffiti 1982-2001.It examines how Consonni’s works capture the viewer’s imagination through their delicate interplay of forms and colors, encouraging a phenomenological engagement with the artwork. The article draws connections between Consonni’s approach and philosophical concepts from Jean-Luc Marion and Ludwig Wittgenstein, emphasizing the transformative power of art to awaken a sense of wonder and meaning.
2024
Philosophy covers resources on every branch of philosophy, including aesthetics, ethics, metaphysics, and the philosophy of science.
Comitato scientifico
Italiano
Nazionale
11
1
181
202
22
GIANCARLO CONSONNI, OPERA GRAFICA, ARTE, FENOMENOLOGIA, WITTGENSTEIN.
1
info:eu-repo/semantics/article
262
Borutti, S.
1 Contributo su Rivista::1.1 Articolo in rivista
none
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11571/1506056
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