The article examines the main differences between the Formenlehre of the German tradition and the current theories of form. It contains critical observations on the treatises of William Caplin and Hepokoski/Darcy as well the recent Beethoven monograph by Giorgio Sanguinetti.

Thinking Musical Form Today

Gianmario Borio
2021-01-01

Abstract

The article examines the main differences between the Formenlehre of the German tradition and the current theories of form. It contains critical observations on the treatises of William Caplin and Hepokoski/Darcy as well the recent Beethoven monograph by Giorgio Sanguinetti.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11571/1460324
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